On the new album A Beautiful Life, Heartless Bastards share a wide-eyed and radiant vision for harmonizing a broken world. The Ohio-bred and Texas-transplanted band’s first new music since 2015’s Restless Ones, A Beautiful Life affirms frontwoman Erika Wennerstrom as a songwriter with the power to profoundly influence our state of mind, often by alchemizing her idealism into viscerally potent rock-and-roll songs. With its delicate coalescence of so many eclectic touchstones—French pop and Celtic folk, space rock and symphonic pop, Disney scores and post-punk—the result is an album that immediately lures the listener into a more receptive mindset, one that leads to deeper generosity, greater compassion, and a restored sense of possibility.
Co-produced by Wennerstrom and Kevin Ratterman (Strand Of Oaks, Jim James, White Reaper), A Beautiful Life finds Wennerstrom joining forces with the likes of guitarist Lauren Gurgiolo (Okkervil River), drummer Greggory Clifford (White Denim), multi-instrumentalist Jesse Chandler (Mercury Rev, Midlake), keyboardist Bo Koster (My Morning Jacket), guitarist David Pulkingham (Patty Griffin), and longtime Heartless Bastards bassist Jesse Ebaugh.
In the making of Heartless Bastards’ most elaborately realized body of work to date, Wennerstrom immersed herself in a highly experimental process that sometimes involved breathing new life into song fragments she’d first created decades ago. “There are little pieces of songs that I’ve had in my head for 20 years, and that finally found their place on this album,” she notes. As she dreamed up A Beautiful Life’s finely detailed yet free-flowing sound, Wennerstrom repeatedly wandered down what she lovingly refers to as rabbit tunnels. “I call them tunnels instead of rabbit holes, because they take me somewhere instead of leaving me stuck,” she says. “I allowed myself to really feel my way through things, trusting that I was going to get to where we needed to go. I never abandoned my vision, and because of that the album became everything I hoped it would be and then some.”